Truer, Stranger Names: Rediscovering Language for Nature and Kinship

Words In Motion

“Names hold power. Names communicate, address, connect. Names hold,” writes Smile Jiang in her mini-series on language, “Words In Motion.” In this essay, Smile looks at the fluidity and use of language as it reshapes our words, our perspectives, and our worlds.

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How I Wrote This: An Interview With Mariya Kika

Interview

“This poem was the culmination of many different conversations, each discussing systemic inequalities and the way they’ve been upheld over time. These discussions framed the way I thought of colonialism, or what once was, and coloniality, or what persists, and how this [cycle] continually serves power dynamics that have persisted for generations.” On the blog, Leela Raj-Sankar speaks to Mariya Kika on her poem “Vengeance.”

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A Conversation With Bea Bolongaita

Interview

“How would a Midwestern girl experience jealousy? And how would that Midwestern girl experience that jealousy if she also happened to be Filipina American? What if she was an eldest daughter, or an academic achiever, or a chronic people pleaser?” On the blog, Saturne Browne interviews Bea Bolongaita on her new chapbook, The Tomato Woman (Sunset Press, 2023).

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How I Wrote This: An Interview With Carina Solis

Interview

Recently, Leela Raj-Sankar chatted with Carina Solis about the process behind her poem “American Dream,” published in Rust & Moth, which you can read here. This interview is part of “How I Wrote This,” a new series where Leela interviews poets about the process, inspiration, and influences behind their writing. 

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A Q&A With COUNTERCLOCK’s Next Managing Editor

Announcements

We’re excited to welcome Maria Gray as COUNTERCLOCK Journal’s next Managing Editor! Maria is a poet from Portland, Oregon, currently based in central Maine. Her microchapbook “Universal Red” was released this summer by Ghost City Press; individual poems are forthcoming from or published in Best New Poets, The Columbia Review, The Lumiere Review, and others.

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Review of When We Were Sisters: A Liminal Space Between Brokenness and Identity

Book Review

When We Were Sisters is a remarkable story about sisterhood, trauma, and grief. To turn its pages is like turning the whole ocean apart, finding pieces of itself in the debris.” On the blog, Harsimran Kaur reviews Fatimah Asghar’s When We Were Sisters (Penguin Random House, 2022).

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A Conversation With Gaia Rajan

Interview

“I think one of the scariest things to me about The Poetry World is how often many poets, especially academic poets, turn to physical violence as shorthand without thinking critically about it … I think we owe it to ourselves to really interrogate our relationship with metaphorical violence.” On the blog, Bella Rotker interviews Gaia Rajan on her new chapbook, Killing It (Black Lawrence Press, 2022).

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2022 Best of the Net Nominations

2021 Best of the Net

Congratulations to Christian Butterfield, Zoë Cunniffe, Maria Gray, Iris A. Law, Sarah Mohammed, Victoria Nordlund, G.D. Brown, Sarah Feng, Hratch Israelian, and Isabella Lobo for being our 2021 BoN nominees.

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Review of “Mount Chicago”: On Love, Loss, and Meeting Your Heroes (and Their Birds)

Book Review

“Levin has a knack for writing characters I would despise if I met them at a party but whose pursuits in this novel I followed attentively.” On the blog, Sophie Allen reviews Adam Levin’s Mount Chicago (Doubleday Books, 2022).

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Review of Caitlin Horrocks’ “Life Among the Terranauts”: Strange Connections

Book Review

“The lasting connections forged between strangers is a recurring theme of Life Among the Terranauts, a running thread that binds the brief narratives of everyday life.” On the blog, Eliza Browning reviews Caitlin Horrock’s Life Among the Terranauts (Little, Brown, 2021).

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Review of "Happy Hour": Neo-Flappers roaming the modern day New York

Book Review

“Marlowe Granados uses the city of New York as a sewing needle; through the eye of the neo-flapper of the 21st century, she pulls a thread of interesting and wide selection of characters and quietly sews them in and out of the story, embroidering a mirrored painting of the hollow and deceitful society of New York.” On the blog, Zeynep Bashak reviews Marlowe Granados’ Happy Hour (Verso Books, 2021).

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